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Everyone wanted a portrait of the hero of the American Revolution and Gilbert, himself, made rare copies of his second —“The Atheneum portrait.” All are treasured.One, at the Museum for this exhibition, shows the president looking to the right out at the viewer, his left hand framed by a gilded arm rest.
Jimmy Kuehnle’s inflatables are exciting art form and witty commentary on our interests and enthusiasms.
This summer, Kuehnle’s inflatables invade the Hudson River Museum’s limestone Victorian home, Glenview, and the Brutalist concrete spaces in its modern wing, mushrooming in the galleries.
The sculptor, who at times can be found inside his huge and popular costumes inflated by 12-volt motor blowers, says, Kuehnle also turns his creativity and mechanical know-how from costumes to site-specific installations that activate the space around them.
Massively scaled, these sculptures are put in your way, so that you ask, “Is this space mine, or does it belong this extremely large creature blocking me?
” Kuehnle’s message, Kuehnle sculptures, which he makes from vinyl-coated polyester fabric, inflate and deflate, pulsing, and by extension breathing, like an organism.